Christian Saints in Armor and with a Naked Paramerium: The Image of a Warrior-Confessor in Byzantine Iconography (2). Armed God-Pleasers and Passion-Bearers

Keywords: early Christians, Byzantine iconography, warriors confessors, weapons, armor, war horse, iconic symbolism

Abstract

This is the second article in a series devoted to the canonical image of the armed saints in Early Christian, Early Byzantine, Late Byzantine and post-Byzantine iconography. The most representative and distinctive iconographic images, from the point of view of Christian theology, are the faces of soldiers-confessors who became victims of persecution and suffered a painful death in the era of early Christianity. Their image is conceptually different from the bloodless faces of hermits: the soldiers of Christ were among people, relocating from place to place, they knew the world around them well. In appearance, they were not different from the rest of the military, because on frescoes, icons and bas-reliefs they were depicted as physically strong, well-groomed, firm in their intentions men, with noble facial features, dressed in beautiful clothes and having expensive armor. The icon painters seemed to deliberately seek to emphasize the physicality of their image and the close connection with the mortal existence of this world. However, when the dilemma of choosing between a painful confessional death and renunciation of faith for the sake of preserving life or a high social position arose, the love of life of these noble young people did not prevent them from making a choice in favor of the immortality of the soul, to sacrifice the values of the world below for the glory of the throne Above. Over time, the image of soldiers-confessors was transformed: from victims of permanent persecution, religious intolerance and arbitrariness of the Roman authorities, they turned into incarnate soldiers of Christ, defenders of the faith, who joined the ranks of the Heavenly host under the command of Archangel Michael. This explains the iconographic similarity of the images of the earthly Christian warriors and the Heavenly Host.

Author Biography

Ye. G. Margaryan , Russian-Armenian University

DOI: https://doi.org/10.34680/vistheo-2022-4-2-202-226

Yervand G. Margaryan
Russian-Armenian University, Yerevan, Armenia 
ervand.margaryan@rau.am
ORCID: https://orcid.org/0000-0001-7396-2399

Abstract
This is the second article in a series devoted to the canonical image of the armed saints in Early Christian, Early Byzantine,
Late Byzantine and post-Byzantine iconography. The most representative and distinctive iconographic images, from the point of view of Christian theology, are the faces of soldiers-confessors who became victims of persecution and suffered a painful death in the era of early Christianity. Their image is conceptually different from the bloodless faces of hermits: the soldiers of Christ were among people, relocating from place to place, they knew the world around them well. In appearance, they were not different from the rest of the military, because on frescoes, icons and bas-reliefs they were depicted as physically strong, well-groomed, firm in their intentions men, with noble facial features, dressed in beautiful clothes and having expensive armor. The icon painters seemed to deliberately seek to emphasize the physicality of their image and the close connection with the mortal existence of this world. However, when the dilemma of choosing between a painful confessional death and renunciation of faith for the sake of preserving life or a high social position arose, the love of life of these noble young people did not prevent them from making a choice in favor of the immortality of the soul, to sacrifice the values of the world below for the glory of the throne Above. Over time, the image of soldiers-confessors was transformed: from victims of permanent persecution, religious intolerance and arbitrariness of the Roman authorities, they turned into incarnate soldiers of Christ, defenders of the faith, who joined the ranks of the Heavenly host under the command of Archangel Michael. This explains the iconographic similarity of the images of the earthly Christian warriors and the Heavenly Host.

Keywords: early Christians, Byzantine iconography, warriors confessors, weapons, armor, war horse, iconic symbolism

References

Bailly 1943 – Bailly H. W. Zoroastrian Problems in the Ninth-Century Books. Oxford, 1943.

Comfort, Elwell 2014 – Comfort Ph., Elwell W. A. The Complete Book of Who’s Who in the Bible. London, 2014.

David 2017 – David. That Which is Caesar’s: The “Church Militant” Icon. Icons and their Interpretation. Information for the Objective Student of Russian, Greek, and Balkan Icons. 16.05.2017. URL: https://russianicons.wordpress.com/tag/blessed-is-the-army-of-the-heavenly-king-icon/ (accessed: 16.08.2022).

Dzhurich 2000 – Dzhurich V. Byzantine Frescoes. Medieval Serbia, Dalmatia, Slavic Macedonia. Transl. into Russian. Moscow, 2000.

Dresden 1977 – Dresden M. The Mythology of Ancient Iran. Transl. into Russian by M. I. Steblin-Kamensky. Mythology of the Ancient World. Moscow, 1977. Pp. 337–365.

Gubareva, Turtsova 2013 – Gubareva O. V., Turtsova N. M. Great Martyr George the Victorious. St. Petersburg, 2013. In Russian.

Krutova 2007 – Krutova M. S. Metaphors and Symbols in the Titles of Handwritten Books of the 14th – 19th Centuries. 2007. 3 (29). Pp. 54–56. In Russian.

Kvlividze 2005 – Kvlividze N. V. Blessed is the Army of the Heavenly King. Orthodox Encyclopedia. Vol. 5. Moscow, 2005. Pp. 324–325.
In Russian.

Lazarus 1666 – Lazarus, Archbishop. The Spiritual Sword, which is the Word of God to Help the Church at War, is Given from the Mouth of Christ. Kiev, 1666. URL: http://archeos.org.ua/?p=5354 (accessed: 02.07.2022). In Russian.

Lopukhin 2010 – Lopukhin A. P. Interpretations of the Holy Scriptures. Optina Pustyn, 2010. URL: http://bible.optina.ru/new:ef:06:14 (accessed: 01.08.2022). In Russian.

Lossky, Uspensky 2014 – Lossky V. N.,  Uspensky L. A. The Meaning of Icons. Transl. into Russian. Moscow, 2014.

Margaryan 2001 – Margaryan Ye. Essays on the History of the Spiritual Culture of Ancient Armenia. Yerevan, 2001. In Armenian.

Margaryan 2022 – Margaryan Ye. Christian Saints in Armor and with a Naked Paramerium: The Image of a Warrior Confessor in Byzantine Iconography (1). Euphrates Border Zone and Christianity. Journal of Visual Theology. 2022. Vol. 4.1. Pp. 39–57. In Russian.

Medvedev 1990 – Tales of Miracles: Russian Fiction of the 11th – 16th Centuries. Anthology. Compiled by Yu. Medvedev. Moscow, 1990.
In Russian.

Petrov 2017 – Petrov A. V. Military Armor in Orthodox Iconography and Liturgical Usage. St. Tikhon’s University Review. Series V: Problems of History and Theory of Christian Art. 2017. Vol. 27. Pp. 9–17. In Russian.

Ryken et al. 2005 – Dictionary of Biblical Imagery. Ed. by L. Ryken, D. Wilhoit, T. Longman. Transl. into Russian by B. A. Skorokhodov. St. Petersburg, 2005.

Sargsyan 2021 – Sargsyan M., Archimandrite. The Fair War theory. St. Echmiadzin, 2021. In Armenian.

Smith 1890 – Smith W. A Dictionary of Greek and Roman Antiquities. Pt. 1. London, 1890.

Toporov 1992 – Toporov V. N. Pharn. Myths of the Peoples of the World. Moscow, 1992. Vol. 2. Pp. 557–558. In Russian.

Voikova 2018 – Voikova V. V. The Symbolic Meaning of the Horse in Old Russian Iconography. Moscow, 2018. URL: https://zelomi.ru/journalloshad/ (accessed: 01.12.2021). In Russian.

About author

Yervand G. Margaryan
Dr. Sci. (Historical Sciences), Professor,
Head of Department of World History and Foreign Regional Studies
Russian-Armenian University
123, Hovsepa Emina ul., Yerevan, 0051, Armenia
E-mail: ervand.margaryan@rau.am

For citation:
Margaryan Ye. G. Christian saints in armor and with a naked paramerium: the image of a warriorconfessor in Byzantine iconography (2). Armed God-pleasers and passion-bearers. Journal of Visual Theology. 2022. Vol. 4. 2. Pp. 202–226. https://doi.org/10.34680/vistheo-2022-4-2-202-226

Published
2022-12-26
Section
Articles
Views
357
Downloads
148