The Rhetoric of Architecture in the Byzantine Context: The Case Study of the Holy Sepulchre
- J. Bogdanović Iowa State University https://orcid.org/0000-0003-0431-5686
Abstract
This paper examines the rhetorical capacity of architecture, and in particular, “the rhetoric of architecture” rather than the usually examined “rhetoric about architecture”. In this work, the rhetoric of architecture is understood as codified visual and architectural conventions as a series of transpositions that frame specific meanings other than and beyond visible and spatial. Here the proposed “rhetoric of architecture” is also more about its capacity as a “mnemonic tool” and about the “craft of composition” rather than about persuading others or about representation based on exact likeness. This concept is particularly significant in the creation of the sacred. By focusing on the architecture of the critical building of the Holy Sepulchre that enclosed the Tomb Shrine in Jerusalem as described by Patriarch Photios in the ninth and Abbot Daniel in the early twelfth centuries, this paper argues for the recognition of the mnemonic links that the Byzantines may have used not only for remembering the Tomb of Christ, but also for their several reconstructions of the Holy Sepulchre in Jerusalem as well as for embedding the meaning of Jerusalem and New Jerusalem in their churches built elsewhere.
Author Biography
DOI: https://doi.org/10.34680/vistheo-2020-2-14-49
Jelena Bogdanović
Iowa State University, Ames, USA
jelenab@iastate.edu
ORCID: https://orcid.org/0000-0003-0431-5686
Transl. into Russian by E. P. Artamonova
ed. by S. S. Avanesov, E. I. Speshilova
Abstract
This paper examines the rhetorical capacity of architecture, and in particular, “the rhetoric of architecture” rather than the usually examined “rhetoric about architecture”. In this work, the rhetoric of architecture is understood as codified visual and architectural conventions as a series of transpositions that frame specific meanings other than and beyond visible and spatial. Here the proposed “rhetoric of architecture” is also more about its capacity as a “mnemonic tool” and about the “craft of composition” rather than about persuading others or about representation based on exact likeness. This concept is particularly significant in the creation of the sacred. By focusing on the architecture of the critical building of the Holy Sepulchre that enclosed the Tomb Shrine in Jerusalem as described by Patriarch Photios in the ninth and Abbot Daniel in the early twelfth centuries, this paper argues for the recognition of the mnemonic links that the Byzantines may have used not only for remembering the Tomb of Christ, but also for their several reconstructions of the Holy Sepulchre in Jerusalem as well as for embedding the meaning of Jerusalem and New Jerusalem in their churches built elsewhere.
Keywords: rhetoric of architecture, ars memoriae, memory, Holy Sepulchre, shrine, aedicula, Tomb of Christ, Jerusalem, Patriarch Photios, Abbot Daniel, Byzantine architecture, sacred space
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About author
Jelena Bogdanović
PhD (Art and Archaeology),
Associate Professor of Architecture Department, College of Design.
Iowa State University, Ames, USA.
E-mail: jelenab@iastate.edu
For citation:
Bogdanović J. The Rhetoric of Architecture in the Byzantine Context: The Case Study of the Holy Sepulchre. Transl. into Russian by
E. P. Artamonova ed. by S. S. Avanesov, E. I. Speshilova. Journal of Visual Theology. 2020. 2. P. 14–49.
https://doi.org/10.34680/vistheo-2020-2-14-49
