Риторика архитектуры в византийском контексте: пример храма Гроба Господня
- Е. Богданович Университет штата Айова https://orcid.org/0000-0003-0431-5686
Аннотация
В данной статье исследуется риторический потенциал архитектуры, точнее – «риторика архитектуры», а не обычно изучаемая «риторика об архитектуре». В этой работе риторика архитектуры понимается как кодифицированные визуальные и архитектурные конвенции, как серия транспозиций, которые формируют определённые значения, отличные от видимых и пространственных. Предполагаемая здесь «риторика архитектуры» к тому же связана в большей степени с её способностью выступать в качестве «мнемонического инструмента» и «ремесла композиции», а не с убеждением других или репрезентацией, основанной на точном сходстве. Эта концепция особенно важна при создании священного. Сосредоточившись на архитектуре важнейшего здания – храма Гроба Господня, окружавшего гробницу Христа в Иерусалиме и описанного патриархом Фотием в IX веке и игуменом Даниилом в начале XII века, эта статья выдвигает доводы в пользу признания мнемонических связей, которые византийцы, видимо, использовали не только для запоминания Гроба Христа, но и для нескольких реконструкций самого храма Гроба Господня в Иерусалиме, а также для воплощения значений Иерусалима и Нового Иерусалима в своих церквах, построенных в иных местах.
Биография автора
DOI: https://doi.org/10.34680/vistheo-2020-2-14-49
Е. Богданович
Университет штата Айова, Эймс, США
jelenab@iastate.edu
ORCID: https://orcid.org/0000-0003-0431-5686
Перевод с англ. Е. П. Артамоновой
под ред. С. С. Аванесова, Е. И. Спешиловой
Аннотация
В данной статье исследуется риторический потенциал архитектуры, точнее – «риторика архитектуры», а не обычно изучаемая «риторика об архитектуре». В этой работе риторика архитектуры понимается как кодифицированные визуальные и архитектурные конвенции, как серия транспозиций, которые формируют определённые значения, отличные от видимых и пространственных. Предполагаемая здесь «риторика архитектуры» к тому же связана в большей степени с её способностью выступать в качестве «мнемонического инструмента» и «ремесла композиции», а не с убеждением других или репрезентацией, основанной на точном сходстве. Эта концепция особенно важна при создании священного. Сосредоточившись на архитектуре важнейшего здания – храма Гроба Господня, окружавшего гробницу Христа в Иерусалиме и описанного патриархом Фотием в IX веке и игуменом Даниилом в начале XII века, эта статья выдвигает доводы в пользу признания мнемонических связей, которые византийцы, видимо, использовали не только для запоминания Гроба Христа, но и для нескольких реконструкций самого храма Гроба Господня в Иерусалиме, а также для воплощения значений Иерусалима и Нового Иерусалима в своих церквах, построенных в иных местах.
Ключевые слова: архитектурная риторика, ars memoriae, память, Гроб Господень, святыня, эдикула, Гробница Христа, Иерусалим, патриарх Фотий, игумен Даниил, византийская архитектура, сакральное пространство, место религиозного поклонения
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Сведения об авторе
Елена Богданович
PhD (искусство и археология),
доцент отделения архитектуры колледжа дизайна.
Университет штата Айова.
715 Bissell Rd., Ames, IA, USA 50011
E-mail: jelenab@iastate.edu
Для цитирования:
Богданович Е. Риторика архитектуры в византийском контексте: пример храма Гроба Господня / Пер. с англ. Е. П. Артамоновой под ред. С. С. Аванесова, Е. И. Спешиловой // Визуальная теология. 2020. № 2. С. 14–49.
https://doi.org/10.34680/vistheo-2020-2-14-49
