On the Icon of ‘The Mother of God Eleousa’ from a Private Collection Exhibited in the Michael Abramov Museum of Russian Icon

Keywords: icon, Virgin Eleousa, byzantinizing painting of the 13th century, relief haloes, style, image

Abstract

In the brief study of the icon in the private collection heavily worn but distinguished by high artistic quality the author comes to the conclusion that it was probably painted in the Mediterranean in the 1st half of the 13th century by an Italian artist. The use of the widespread iconography of the Virgin Eleousa and its somewhat unique stylistic features do not allow (at least at present) for a more precise attribution.

Author Biography

I. A. Oretskaia, State Institute for Art Studies

DOI: https://doi.org/10.34680/vistheo-2024-6-2-445-454

Irina A. Oretskaia 
State Institute for Art Studies, Moscow, Russia
oretskaia@gmail.com
ORCID: https://orcid.org/0000-0002-3974-4176

Abstract
In the brief study of the icon in the private collection heavily worn but distinguished by high artistic quality the author comes to the conclusion that it was probably painted in the Mediterranean in the 1st half of the 13th century by an Italian artist. The use of the widespread iconography of the Virgin Eleousa and its somewhat unique stylistic features do not allow (at least at present) for a more precise attribution.

Keywords: icon, Virgin Eleousa, byzantinizing painting of the 13th century, relief haloes, style, image

References

Andronikou 2019Andronikou A. A. A Panel in Search of Identity: The Madonna di Andria between Apulia and Cyprus. The Art and Archaeology of Lusignan and Venetian Cyprus (1192–1571). Recent Research and New Discoveries. Ed. by M. Olympios and M. Parani. Turnhout, 2019. Pp. 43–61.

Belli D’Elia 1988 – Icone di Puglia e Basilicata dal Medioevo al Settecento. A cura di P. Belli D’Elia. Milano, 1988.

Eliades 2017 – Κυπριακῷ τῷ τρόπῳ / Maniera Cypria. The Cypriot Painting of the 13th Century between Two Worlds. Catalogue of the Exhibition. Ed. by A. Eliades. Lefkosia, 2017.

Etinhof 2000 Etinhof O. E. The Image of the Mother of God. Essays on Byzantine Iconography of the 11th – 13th Centuries. Moscow, 2000. In Russian.

Evseeva 2023 – Evseeva L. M. Byzantium in Italy. Icon of the Mother of God Eleousa, 13th Century, from a Private Collection. Moscow, 2023. In Russian.

Frinta 1981Frinta M. S. Raised Gilded Adornment of the Cypriot Icons, and the Occurrence of the Technique in the West. Gesta. 1981. Vol. 20. 2. Pp. 333–347.

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Lidova 2010 – Lidova M. A. The Image of ‘Santa Maria in Trastevere’. Roman Icons of the Mother of God in the Context of Early Byzantine Culture. Dissertation for the degree of Candidate of Art History. Moscow, 2010. In Russian.

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Piotrovsky, Pyatnitsky 2017 – Byzantium Through the Centuries. Ed. by M. B. Piotrovsky, Yu. A. Pyatnitsky. St. Petersburg, 2017. In Russian.

Rice 1972 – Rice D. T. Cypriot Icons with Plaster Relief Background. Jahrbuch der österreichischen Byzantinistik. 1972. Vol. 21. Pp. 269–278.

About author

Irina A. Oretskaia
Cand. Sci. (Art History),
Senior Research Fellow of Byzantine Art Department
State Institute for Art Studies
5, Kozitsky Lane, Moscow, 125375, Russian Federation
E-mail: oretskaia@gmail.com

For citation:
Oretskaia I. A. On the icon of ‘The Mother of God Eleousa’ from a private collection exhibited in the Michael Abramov Museum of Russian Icon. Journal of Visual Theology. 2024. Vol. 6. 2. Pp. 445–454. https://doi.org/10.34680/vistheo-2024-6-2-445-454

Published
2024-11-20
Section
Research Reports
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