Интеграция многофигурных повествовательных сцен и структурные трансформации в итальянском алтарном полиптихе XIV века

О. А.  Nazarova

О. А. Nazarova National Research University “Higher School of Economics” https://orcid.org/0000-0003-1143-0463

Keywords: altarpiece, polyptych, Trecento painting, narrative, Italian Renaissance art

Abstract

Painted polyptych altarpieces appeared on high altars in late Duecento in the churches of mendicant orders. They were characterized by a special manner of organizing visual material by juxtaposing single half-figures with each other and arranging them in rows and columns, allowing no room for narrative elements, widely used at that time in panel painting. Such narrative-free character of main altarpieces would be preserved throughout the whole period of their popularity. However, polyptychs created in late Trecento integrated narrative scenes and even entire cycles into the structure of the altarpieces, which required new approaches to composition and to the use of pictorial space. The article examines the role of narrative content in altarpieces of late Trecento and discusses the origins and development of this new style.

Author Biography

О. А. Nazarova , National Research University “Higher School of Economics”

DOI: https://doi.org/10.34680/vistheo-2024-6-1-58-76

Olga A. Nazarova
National Research University “Higher School of Economics”,
Moscow, Russia
onazarova@hse.ru
ORCID: https://orcid.org/0000-0003-1143-0463

Abstract
Painted polyptych altarpieces appeared on high altars in late Duecento in the churches of mendicant orders. They were characterized by a special manner of organizing visual material
by juxtaposing single half-figures with each other and arranging them in rows and columns, allowing no room for narrative elements, widely used at that time in panel painting. Such narrative-free character of main altarpieces would be preserved throughout the whole period of their popularity. However, polyptychs created in late Trecento integrated narrative scenes and even entire cycles into the structure of the altarpieces, which required new approaches to composition and to the use of pictorial space. The article examines the role of narrative content in altarpieces of late Trecento and discusses the origins and development of this new style.

Keywords: altarpiece, polyptych, Trecento painting, narrative,
Italian Renaissance art

References

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About author

Olga A. Nazarova
Cand. Sci. (Art History),
Associate Professor of Faculty of Humanities
National Research University “Higher School of Economics”
1 Bldg., 21/4, Staraya Basmannaya St., Moscow, 105066,
Russian Federation
E-mail: onazarova@hse.ru

For citation:
Nazarova O. A. Integration of narrative compositions and structural transformations in Trecento polyptych altarpieces. Journal of Visual Theology. 2024. Vol. 6. 1. Pp. 58–76. https://doi.org/10.34680/vistheo-2024-6-1-58-76

Integration of Narrative Compositions and Structural Transformations in Trecento Polyptych Altarpieces

Abstract

Author Biography